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The Seale of Approval: A
Conversation with the Queen of International Events, Judy Seale

For the last
eighteen years, Nashville based Judy Seale has
been a constant presence on the international festival scene. Since 1991, she
has been the president and
CEO of Judy Seale International after years with
the Halsey Company and Refugee Management. Tour Guide Journal sat down with
Judy and discussed her passion for what she does and the problems in staging
international events.
Judy was working for Jim Halsey when in 1987 she was thrown into the deep end
when she was promoted to Vice President of International Relations. She
laughed "I'd never been out of the country!" Her first trip was to Japan with
Brenda Lee.
"A different city every night and I was in
charge:' She remembers. So I learned quickly because we were gone for 2 ½
weeks in a country that didn't speak any English; it was a great
experience. I never looked back. Immediately I started doing more and more
things internationally. It's my passion: I love traveling overseas. I love the
challenge of going into a country that doesn't have Country music and I've
taken the first Country music festivals to Japan. I actually met with a
promoter in 1988 when I was on tour with Pat Boone in Japan and we started the
Country music festival; this year will be our 17th year. I had the first
Country music festival in Brazil, Thailand, Hong Kong; places that had never
had Country music before:'
Frankly, we were somewhat interested in how she
could make Country music work in Europe from an economic standpoint. "I try to
focus on the larger festivals because quite honestly with Country music,
there's no money to be made off of the little date or the little unknown
artist:' she advised us. "I try to take an artist and package the entire
festival. Country Gold is my biggest one in Japan. That is the largest one. I
have several in Switzerland including Interlaken in Switzerland which is the
largest Country and Trucker festival and Schupfart which is held in the city
of Schupfart:' Judy is also involved with events in Denmark, Sweden and
Norway.
Although Japan is not a third world country, Kyushu
where Country Gold is staged is about as far from Tokyo as you can get and we
were interested in production problems that she encountered. "A lot of the
equipment that the bands want for backline, has to be brought in from Tokyo. So
we have to start really early and say we can't get this, can you get that? And
they all think because everything is made in Japan, it's readily available where
it's not; it's not only available in the u.s and we've sometimes had to fly over
things like one year we had to fly over a Hammond B3 and Leslie speakers.
Judy has worked with the same production company in
Japan, Our House, for seventeen years and "they know exactly what we want".
I always take a production person from the US to
handle the stage." She said . "I use a guy called Scott Olson out of
Minneapolis. I met him when he was traveling with the Desert Rose Band. There
have been a couple of years he hasn't been available and then I'll find someone
else who I'm comfortable with. They pretty much have to coordinate the
production. Before we leave, they get with every artist, get a copy of the
rider and then they work with Japan on getting it all together. So that each
artist, five artists, don't have to contact Japan. It runs smoother than
anything you've ever seen in the US. Everything is right on time.
Judy again has shown her loyalty by sticking with
the same travel contact and company, Debby Jarvis at Creative Travel out of Los
Angeles. "I've used her since the Halsey days; it's where I met her. She gets
me really great deals. We've never been able to have an airline that actually
came in and sponsored us."
However, a lot of stateside performers are
apprehensive about traveling oversears; especially to Japan. Firstly, it's a
long trip, secondly they are concerned about nobody speaking English and
thirdly, they fear there will be only raw fish to eat. Judy answers these
problems by assigning a translator to them (even if not needed) and has a Big
Mac awaiting them when the artists arrive on Japanese soil.
As well as running her company, Judy also operate
the no-profit organization, Stars for Stripes (www.starsforstripes.com). I've
started the organization to take entertainment to our troops stationed overseas,
we take entertainment t our troops deployed overseas and it's only celebrity
entertainment. We go live with the soldiers in Iraq for two weeks, we travel
with them, we sleep in tents and we get to the soldiers that we think need
entertainment the most.
Judy Seale is perhaps the only industry person in
the U.S. taking Country Music to an international audience and for that she is
owed a debt of gratitude.

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